The 2020 Oscars officially arrive on February 9th, but until they
do, entertainment bettors have time to figure out precisely how to bet on the
There are countless Oscars prop bets out there, but perhaps the most alluring
remains which movie will win Best Picture. I rolled out a breakdown of
every movie nominated for Best Picture at the 2020 Oscars, but now I’m
taking a final look at the movie I think is head and shoulders above the rest.
It’s not always as simple as pointing out the best movie, though. In addition
to providing my 2020 Best Picture prediction, I’ll also highlight two other
viable contenders that could stage an upset. I’ll be ordering these from the
least likely to my pick to win.
Let’s look into which movie will win Best Picture at the Oscars in 2020.
Joaquin Phoenix was brilliant in Joker. His performance as a
nobody-turned-mad-man hit home for a lot of people, as what was supposed to be a
run-of-the-mill comic book flick dealt with some seriously dark material.
Phoenix evoked empathy from the audience, as his story as an everyman wronged
by society was easily relatable. He did a masterful job toeing the line between
vicious revenge-seeker and reborn anti-hero, while director Todd Phillips made
it clear every step of the way which side the audience was supposed to be on.
Joker ended up being a fractured take on mental health awareness,
while darting back and forth over a line that dared to glorify Fleck’s almost
accidental revolt. It wasn’t pretty, and it wasn’t perfect, but Joker
was perhaps the most authentic comic book movie in history.
Through it all, Joker clearly borrowed from other great films and
didn’t offer much that was redeeming. That didn’t make it any less important,
but it may have it stop short of a massive upset at the Oscars.
The ninth film from legendary director Quentin Tarantino may truly be his
best to date. This is saying something, as Tarantino may not have created many
Oscars-worthy films to this point, but virtually all of his movies are at least
What is different here? How about the fact that Tarantino’s usually
cold-blooded savagery isn’t needed for the majority of a movie? While still
crass in spots, Tarantino pumps brand-new life into what would otherwise be a
stripped-down trip down memory lane.
The callback is to 1969, and looming over a story about a washed-up actor and
his buddy stunt double is the horror of the Manson murders. Sharon Tate is
wonderfully teased at various points throughout the film, while Brad Pitt
contributes to superb tension-building and Leonard DiCaprio provides necessary
Once Upon a Time in Hollywood does so much with so little, as it
successfully plants us in a time machine and builds a world we don’t want to
leave. Then we go warp speed into a bloodbath (and a flame thrower) to our
The moral of the story? This is one wild ride, and thanks to its exploration
into DiCaprio’s fading star and a nice little twist, it actually carries one
heck of a punch in terms of substance.
If Tarantino doesn’t finally get that Best Director nod, perhaps the Academy
could pay their respects by honoring his most complete film yet.
In Once Upon a Time in Hollywood’s corner is a win for Best Motion
Picture, Musical or Comedy at the 2020 Golden Globes.
If we’re judging Parasite simply on content and direction, it gets
an A+ and absolutely has a shot at stealing the show at the 2020 Oscars. That
has me ranking it second, just because director Bong Joon Ho builds tension
effortlessly and pieces together a truly flawless film.
The subject matter starts out normal enough, pitting the rich versus the
desperate, in a sense. Going much deeper into the content would give too much
away, as madness ensues.
Just know that this film is dripping with tension and absolute precision.
Bong Joon Ho wrote this masterpiece, and he directs it like it is his own
precious child (and it is).
So, why isn’t it the favorite? For starters, this isn’t the only movie you
could file under “perfect” going into this year’s Academy Awards. It also may be
difficult for the voters to fully grasp, seeing as this is the lone non-English
film up for Best Picture.
The evidence is fairly damning, but Parasite could be good enough to
make history. It has to happen sometime, so why not now?
Sam Mendes put in some truly brilliant work in this war epic, which is
centered around two soldiers in a race against time to avoid a brutal slaughter.
That’s really just the start of a staggering and jaw-dropping journey that is
only intensified by Mendes’ insane idea of making it look like it’s all done in
1917 hits you early, grabs hold of you, and never lets go. The
acting is fantastic, the direction is pristine, and you certainly aren’t bored
throughout this film. The main question will be if the Academy passes up this
thrill ride for something that has a more of a sit-down-and-get-to-know-you
Still, 1917 has gained serious momentum. Originally nothing more
than another viable contender or borderline sleeper, huge wins for Best Director
and Best Motion Picture at the Golden Globes set it up for a huge night at the
Which Movie Will Win Best Picture at the 2020 Oscars?
I’ve left out Marriage Story and The Irishman, although
this is the Oscars we’re talking about, so if you think those movies are a safe
bet, take a swing for the fences.
That said, Marriage Story might be a bit too morose, and The
Irishman didn’t gain any traction at the Golden Globes. Once thought to be
two of the top threats to win Best Picture by yours truly, I’ve lost interest,
just as both of these films have lost steam going into the Academy Awards.
I still wouldn’t be bummed to see either win, while it’d be all kinds of fun
for Joker to shock everyone, Tarantino to finally get that elusive
golden trophy, or Parasite to make history.
Any of these narratives could be breathed into life, but 1917 was
the best overall movie, and its
-175 price at
BetOnline is pretty good considering it just picked up serious momentum at
the Golden Globes.
I’ve dug my heels in for 1917 for a couple of weeks now, and I see
little reason to back off. The upsets offer nice value, and they’ll be plenty
deserving if they win, but 1917 feels like the movie to beat.
Noah Davis is one of the more diverse writers at GamblingSites.com. Like many of his colleagues, he's a huge fan of both football and basketball. But he also writes about box office records, TV show prop bets, DFS, and all kinds of other subjects.
When it comes to the NFL, Noah's favorite team is the Cleveland Browns. He enjoys cheering them on with his wife and daughter.